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The is a New York drama so laidback that it required a decade to arrive on the UK’s cinema screens. First released in the US in 2015, it’s a micro-budget first feature from first-time director Charles Poekel, set almost entirely on a 24-hour pop-up Christmas tree stall. Poekel’s style remains decidedly authentic-indie and unaffected to become slushy or sentimental about Christmas; through his lens Christmas tree lights blink like police lights. But in its own low-key way, he positions the movie just right for a modest dose of festive warmth.

The Jaded Seller Amid the Brooklyn Cold

Kentucker Audley stars as Noel (someone had in the film to comment on his name for the connection to be made). Noel returns for his fifth year selling Christmas trees in Brooklyn, working outdoors in the freezing cold and sleeping in a barely warmer caravan parked next to the trees. A few customers ask about the girl assisting him last year. But this year Noel is alone, heartbroken and working the night shift.

There’s a documentary feel to many of the scenes, with customers asking pointless random questions. One woman wants the same Christmas tree as the Obamas (this is 2014). Noel looks numb with cold in body and spirit; he’s weary and disillusioned, though Audley’s understated acting clearly indicates that he hadn't always been like this.

Understated Encounters and Glimmers of Hope

Frankly, the plot is minimal. Noel rescues a woman, Lydia (Hannah Gross), who has passed out drunk on a bench. She pops up again later in some genuinely moving scenes as Noel drives around New York, delivering trees – and these moments could ignite a small glimmer of good cheer even in the most cynical viewer. Poekel hasn’t made a feature since this, which is a shame – you can’t beat it for authenticity and fluidity, and it’s filmed on gorgeously textured 16mm film.

The picture of quiet charm and real mood, capturing the solitude and fleeting connection of the season.

Christmas, Again opens in UK cinemas from 12 December.